video
sound
motion design
Who I Am
You may have come here looking for a video producer. But I do more than make videos — I tell stories.
And the best stories start with a question: Why?
The “what” is usually the easy part — it tells me what you do. But the why tells me why people should care. And that’s where the good stuff lives.
Whether it’s the clients I serve, the people I collaborate with or the story we’re trying to tell, I want to work on things I care about. Things that inspire me. Things I can’t stop thinking about — even when I’m brushing my teeth or waiting for my dog to finally pick the perfect patch of grass to pee on..
And when I care, I tend to care a lot. The people I work with know me as the guy who asks for one more take, nudges something three pixels to the left and has a hard time leaving “good enough” alone. Tiny details matter to me because they’re what separates the ordinary from the exceptional.
Roll Camera
I could write about my work. Seems a little suspicious for a video guy, though. So enough talking. Have a look.
What I do
I’ve been the DP, AC, producer, editor, animator, director, production manager, art director, casting agent, location scout and prop master. Sometimes all at the same time.
I’ve worked across nearly every part of production, from pre to post: knocking out a quick social video for a nonprofit, wearing the director’s hat on a big agency TV shoot, and dreaming up ideas for a film festival short. Some of my education came through experience. Some through trial and error. Some through the school of “well, we’re never doing it that way again.”
Turns out all of it comes in handy.
Which means I can jump in where you need me — or help take the whole thing from spark to screen.
Video Editing
Editing is more than putting the right shots in the right order. It’s finding the story hiding in footage—and shaping it into something that makes an audience think, feel or, ideally, both.
Telling a story is good. Making someone care is better.
Motion Design
From a simple title treatment to fully animated content, motion design can clarify an idea, add personality and give a story another dimension.
Sometimes it supports the story. Sometimes it is the story.
Animation Demo Reel | Glide Intelligence | Alyeska Pipeline | Spawn Ideas
Producer
A great idea is a very good place to start. Then somebody has to figure out the locations, people, gear, schedule, shots, weather, logistics and roughly 63 other things required to make it real.
That part? I love. Somebody has to sweat the small stuff. (Just don't stand too close.)
Photography
People. Personalities. Moments. I’m looking for the image that feels like something, not just the one that looks right. The glance, the gesture, the detail that tells the story without saying a word.
Because sometimes one frame is enough. No play button required.
Ready to talk story?
Tell me what you’re working on. (Or better yet, tell me why!)